Often, in discussions about old movies, someone will say, “That movie couldn’t be made today.”, and inevitably someone else will disagree.
Often, in discussions about old movies, someone will say, “That movie couldn’t be made today.”, and inevitably someone else will disagree.
Project Hail Mary was practical first. Real sets, real puppet, with digital enhancements. There is a scene that was filmed with loads of LEDs on wires to cover the shot in blinking red lights. I think it pays off hugely and the film is better for it all.
At the moment I think it’s an outlier and most films will continue to just film green screens and tennis balls but it might herald the return of practical, maybe even full-scale animatronics! I can only hope.
I hope that film wins awards, genuinly good sci-fi made by people who understand movies and dont just fix it in post. It fealt real, the sinple trick of not having sound if the camera is not in a place with atmosphere is one of the most important little details. 2001 gets it right, Firefly gets it right, but if you can hear lazers in space, your just bring a wizard in 0g.